She had reached a neighbourhood of narrow, crowded streets. The women were mostly without hats; and swarthy men, rolling cigarettes, lounged against doorways. The place had a quaint foreign flavour. Tiny cafés, filled with smoke and noise, and clean, inviting restaurants abounded. She was feeling hungry, and, choosing one the door of which stood open, revealing white tablecloths and a pleasant air of cheerfulness, she entered. It was late and the tables were crowded. Only at one, in a far corner, could she detect a vacant place, opposite to a slight, pretty-looking girl very quietly dressed. She made her way across and the girl, anticipating her request, welcomed her with a smile. They ate for a while in silence, divided only by the narrow table, their heads, when they leant forward, almost touching. Joan noticed the short, white hands, the fragrance of some delicate scent. There was something odd about her. She seemed to be unnecessarily conscious of being alone. Suddenly she spoke. She stood erect, looking down at him while seeming to be absorbed in the rearrangement of her hair, feeling a little ashamed of herself. She was “encouraging” him. There was no other word for it. She seemed to have developed a sudden penchant for this sort of thing. It would end in his proposing to her; and then she would have to tell him that she cared for him only in a cousinly sort of way—whatever that might mean—and that she could never marry him. She dared not ask herself why. She must manoeuvre to put it off as long as possible; and meanwhile some opening might occur to enlighten him. She would talk to him about her work; and explain to him how she had determined to devote her life to it to the exclusion of all other distractions. If, then, he chose to go on loving her—or if he couldn’t help it—that would not be her fault. After all, it did him no harm. She could always be gracious and kind to him. It was not as if she had tricked him. He had always loved her. Kneeling before her, serving her: it was evident it made him supremely happy. It would be cruel of her to end it.
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She was puzzled for the moment. “Oh, the old clergyman,” she answered, recollecting. “Oh, Calvary. All roads lead to Calvary, he thought. It was rather interesting.” “She was studying for the stage,” he answered. “Paris was the only school in those days. I was at Julien’s studio. We acted together for some charity. I had always been fond of it. An American manager who was present offered us both an engagement, and I thought it would be a change and that I could combine the two arts.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.
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